Prep, Notation and Parts Course

Nowadays, orchestral music recorded with MIDI in a DAW can sound

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Today, orchestral music recorded with MIDI in a DAW may sound fantastic, but there's nothing like music performed by real musicians. In this second installment of the Orchestral Session series, music composer Olajide Paris covers the special preparation work required to transform your MIDI score into data that a notation program can use.

In this course, Olajide Paris covers essential techniques and strategies to speed up your orchestration preparation work. Topics covered include when to use region-based or event-based quantization, how to deal with dedicated performance libraries so they translate correctly to the score, and how to consolidate MIDI parts. Olajide also discusses how to create individual parts from ensemble patches, what important cleanup steps to take before exporting, why you should know about the Alternative Music XML format, and more... In the last section, you'll learn about the challenges and Orchestrating Considerations for the Scoring Stage, where you learn how to import prepared MIDI from a DAW into Sibelius and Finale, and get a full orchestral score tutorial!